Gayatri enthralled the audience with her first performance in Chennai and her exposition was a delightful combination of exquisite abhinaya, grace and footwork. The impression of effortless natya remained a constant captivating point of her recital.

Mumbai based Gayatri rendered her finely selected dance numbers with ease and left the audience spell-bound with her facial expression, devotion and versatility. She is bound to shine in the field of Bharata Natyam and spread it worldwide.

Navarasa, a ballet presented by Soundarya Natya Kalalaya at Indian Fine Arts Society, German Hall was a commendable performance. The entire program was confined to the depiction of the nine moods, all well depicted and brought out the best in the dancer.

Gayatri, a dedicated disciple of Padmini Radhakrishnan, performed for Kapali Fine Arts for the Music and Dance Art Festival. Fluid movements marked the invocation number and she proceeded to render other numbers with freshness and novelty. Gayatri has Laya command not only of the outer language of “Nritta” but more importantly on its inner dynamics. Her mastery of abhinaya, bhakthi bhava, korvais, araimandi and fine posture were exceptionally good.

Gayatri’s performance for “Kala Sandesam” in Chennai was a notable one. The jathis, sancharis and footwork was very well rendered and equally the expressions in her eyes spoke of the emotion she was trying to portray. Her Thillana in kaanada ragam was the grand finale which had scintillating footwork and brisk movements that left the audience spell-bound.